Christopher Marks
Christopher Marks has been hailed for his “style and assurance” in performance, and is quickly gaining a reputation for creative and friendly programming. His interest and skill with historic American instruments has led to four appearances at conventions of the Organ Historical Society.

Marks is Associate Professor at the University of Nebraska-Lincoln, where he teaches organ, music theory, and performance practice. From 1999 to 2006, he taught organ and served as University Organist at Syracuse University. An active proponent of new music, Marks has premiered a number of commissioned organ works. His diverse stylistic interests also steer him towards a variety of other repertoire, with a recent interest in American organ music of the late 19th and early 20th centuries. Equally comfortable with solo and collaborative playing, he has performed with ensembles such as the Boston Brass, Ethos Percussion Group, and Lincoln’s Symphony Orchestra. He holds degrees from University of Richmond (B.M., piano), University of Illinois at Urbana-Champaign (M.M., piano and M.M., organ), and the Eastman School of Music (D.M.A., organ), where he studied with Michael Farris. His performances have garnered him top prizes in competitions, including the Arthur Poister Competition, the San Marino Competition, the Fort Wayne Competition, and the Mader Competition.

Marks’ recording entitled Discoveries was made on the historic Walter Holtkamp organ at Syracuse University and represents his varied musical interests, featuring music spanning four centuries that is rarely performed and recorded. His latest ongoing recording project involves the organ music of Seth Bingham, who was a prominent New York composer, teacher, and church musician. The two CDs thus far completed have received considerable critical acclaim. All recordings are available from the Raven label at

Marks is active as a performer, teacher, and writer, having published articles on performance practice, organs, and professional concerns. He has participated in more than ten Pipe Organ Encounters. He currently serves on the National Council of the Organ Historical Society.


“Marks provides definitive, supremely musical performances, offering an ideal blend of virtuosity, sensitive phrasing, rhythmic flexibility and control, and masterful manipulation of the immense array of tonal resources (including percussions) on the magnificent Schoenstein [organ].” – The American Organist, reviewing Organ Music of Seth Bingham, Vol. 2

“Marks has done us all a great service by reviving the consistently attractive and imaginative organ music of Seth Bingham. Marks is an ideal interpreter for the music.” – The Diapason, reviewing Organ Music of Seth Bingham, Vol. 1

“Marks played a remarkable program.” – Sandusky Register

“Victorious” – Lincoln Journal Star

“Marks is a fine player and the Schoenstein organ responds to his every touch. Great stuff.” – The Organ, reviewing Organ Music of Seth Bingham, Vol. 1

“Marks plays all these pieces with assurance.” – American Record Guide, reviewing Organ Music of Seth Bingham, Vol. 1

“Marks played wonderfully humorously” – The American Organist

“Marks played with great élan. Marks is a rapidly rising young star who performed with great style and assurance.” – The Diapason

“A sparkling performance” – The American Organist

“[Marks’] recital may have been the most successful of the [2007 Region II AGO] convention” – The American Organist